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Christopher Young Trio with Guests - Digital Analogue

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$26.95
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Album Description

Newmarket Music are proud to announce Christopher Young’s latest album; Digital Analogue. Digital Analogue was recorded at RMIT studios by engineer Tony ‘Tok’ Norris in a three day session. The idea behind this release was to record a new album with the synthesis of the digital analogue signal, hence the album name.

The tracks on this album are an eclectic mix of contemporary jazz allowing the listener to follow the band’s journey through the use of different styles and textures which will appeal to jazz lovers of all ages. Digital Analogue gives a nod to European jazz and contemporary music.

Members include: Christopher Young on multi reeds, Ali Watts on electric bass, double bass and digital and analogue effects and Daniel Brates on drums. Featured guests include Julian Wilson on tenor sax, Brendan Hains on electric guitar, Tony ‘Tok’ Norris on trumpet. The musicians were specifically chosen because of their abilitity to play in various idioms of intrepid, contemporary jazz.

Stand out tracks include: There Is Always A Way, Gershington, Out Of Time

 

 

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Link to review


Track Details:

  1. There Is Always A Way
  2. Out Of Time
  3. Domination
  4. Infinite Cycle
  5. Location 13
  6. Mysteriouso
  7. Gershington
  8. Digital Raga
  9. Solo

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Album Reviews

  1. DIGITAL ANALOGUE (Newmarket)

    Posted by John Shand on 11th Oct 2018

    Christopher Young has a gift for crafting charged atmospheres in which to improvise. This gift is especially prominent on this double album's 20-minute centrepiece, the slow, dreamy Out of Time, which has minimal harmonic movement, instead using layers of post-Robert Fripp guitar played by guest Brendan Hains, whose long, sustained notes frost with tension the improvisations from Julien Wilson's tenor saxophone and Young's bass clarinet. This sharp edge of anguish is passed between clarinet, saxophone and guitar, without either the effect becoming overwrought or its impact diminishing. Meanwhile bassist Alistair Watts and drummer Daniel Brates maintain a soft, restrained, but nonetheless buoyant dialogue to keep the piece afloat. It is among the most compelling works I've heard this year, and amazes me afresh with each hearing. The rest of the album keeps you in its grip, too, with Young developing such full-blooded sounds on his saxophones, clarinets and flute, and his compositional ideas asking different questions of himself (sometimes multi-tracked) and his collaborators. Wilson's brawny tenor also guests on There Is Always a Way to Know and trumpeter Tony Norris spices up Eternity. JOHN SHAND



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