Loading... Please wait...John Hardacker (via theorangepress.net) reviews Tim Willis & The End’s 2011 self-titled debut. Tim Willis & The End have a new album ‘Keep Your Chin Up’ set for release on June 14th, and will launch it at Bennetts Lane Jazz Club. Stay tuned for details!
Jazz has often invigorated itself over time through transfusions of the blood of other musics – musics decidedly less blue-blood than itself. Rock has, since Gary Burton’s and Charles Lloyd’s psychedelic jazz of the 60s, through Miles Davis’s Hendrix-like albums of the 70s and more current groups such as EST, given jazz a shot in the arm it has sometimes – arguably – needed.
In jazz guitar, a legion of young post-rock players have been informed by such artists as John Scofield who added heavier rock flavours and Bill Frissell who has stripped and modernized the tonality of jazz. This is a massive and sweeping generalisation but one has to start somewhere.
Melbourne guitarist Tim Willis’s band The End is undoubtedly a jazz group – free wheeling group improvisation, exciting and taut communication between players – but one within which beats a very rock heart – solid and definite backbeats, grungy guitars, not afraid to have a bit of noisy fun.
Willis has put together an intriguing combo of electric guitar, double bass and drums with a frontline of tenor (John Felstead) and alto (Jon Crompton) saxes for The End’s eponymous debut album. The twin-sax front line is a smart move, adding a layer of rock crunch and bite but with traditional jazz instrumentation. Their timbre is such that, together with the distorted guitar they make some chunky block chords, and playing in unison they take on a ringing, almost-metallic voice.
The rhythm section of Gareth Hill, acoustic bass and Nick Martyn, drums have got the balance between rock’s solid riffing and the fluid of jazz down perfectly. The guitar of Tim Willis though, is the element that excites and inflames the whole concoction. Grungy, fleet lines with blues inflections flow out of him. The heavy riffing on ‘Dark Cloud’ could be a Black Sabbath riff – ominous and sulphurous – and his solo, haloed with reverb is a standout of this collection.
This track ‘Dark Cloud’ is a good example of the freewheeling nature of Willis’s musical vision. Halfway through, the riffing drops abruptly away and the two saxes play an intertwining two-toned solo. It is a slight shock to leap between the two styles but it illustrates what is very cool about The End – this is not jazz-rock fusion as such, the two styles seem to be given more of their own space here. It is a conceptually clearer listen than many such style-pairings, bringing to mind what was so cool about Swede Esbjörn Svensson’s EST group.
Like rock, jazz never ever really needs ‘saving’ – but groups like The End and original thinkers such as Tim Willis can, by their youthful vigour and vertical vision, sometimes help the old tart out when she loses her puff.
Review written by John Hardacker, @ www.theorangepress.net
Newmarket Music is excited to announce that the hardest working folks in showbiz, The Eastern (NZ) will be returning to our shores for a phenomenal round of shows that will also coincide with the Australian launch of their new release Hope & Wire. March 22nd will see The Eastern kick off their Aussie tour at the beloved Retreat Hotel in Brunswick before heading on to charm the masses at Yackandandah Folk Festival.
With the album concept struggling, The Eastern (not ones to do things in halves) go against the grain with Hope & Wire releasing it as a fifty track, double-disc set. Frontman Adam McGrath says the songs on Hope & Wire are dedicated to the people of Christchurch and the events that have consumed the city over the past year. ''At times it's sad, other times angry, but the overall theme of these songs is hope.”
The album was recorded in a condemned house in the now red-zoned suburb of Dallington, offered by the Harris family. “They let us use their broken little house to record in before the insurance company knocked it down. We were in the mostly abandoned suburb of Dallington/Avonside for around four months, recording 12 hours a day most days.”
Gritty, optimistic and heartfelt, The Eastern’s Hope & Wire tells a tale like no other. The first track on the release Gone tells of corporate greed and corruption, while Up Spinner tells the nostalgic story of a kiwi man paying his way playing two-up in Australia.
Hope & Wire, The Eastern’s third and most realised record yet, is loaded with stories, heart and harmony as well as the grand barroom philosophising and old time fury the band are known for. The rolling, rambling, shambling, family hoedown atmospheres they project in their live shows have endeared them to the hearts of many, and they play like the mean it, because they do.
The Eastern 2012 Australian Tour Dates
Thursday 22 March 2012 - Retreat Hotel, Brunswick VIC w/Cherrywood
Friday 23-25 March 2012 - Yackandandah Folk Festival, Yackandandah VIC
Saturday, 7 April - (McNairs) Alexandra Hotel, Alexandra VIC
Sunday 8 April - StLeonard's Winery, Wahgunyah (Rutherglen) VIC
Monday 9 April Bridge Road Brewery, Beechworth VIC
Friday 13 April - Baha Tacos, Rye VIC
Saturday 14 April - The Old Bar, Fitzroy VIC
Sunday 15 April - Post Office Hotel, Coburg VIC
Friday 20 April - Martians Café, Deans Marsh VIC
Saturday 21 April - Apollo Bay Music Festival, Apollo Bay VIC
Sunday, 22April - Apollo Bay Music Festival, Apollo Bay VIC
Wednesday 25 April - TBA
Thursday 26 April - Mojo's Bar, Hamilton, VIC
Friday, April 27, 2012 - Wheatsheaf Hotel, Thebarton SA
Saturday 28 April - The Exeter, Adelaide SA
Sunday 29 April - La Mar Sunday's at Glenelg Surf Club, Glenelg SA
Thursday 3 May - The Mustang, Northbridge WA
Friday 4 May - Indie Bar, Scarborough WA w/ Boston & Chevy and Ruby Boots
Saturday 5 May - Clancy's Fish Pub, Fremantle WA
Sunday 6 May - Clancy's Fish Pub, Dunsborough WA
Wednesday 9 May - Ric's Bar, Brisbane QLD
Thursday 10 May - TBA
Friday 11 May - Valla Beach Tavern, Valla Beach NSW
Saturday 12 May - TBA
Sunday 13 May - Grand Junction Hotel, Maitland NSW
Thursday 17 May - Camelot Lounge, Marrackville NSW w/Ruby Boots
Friday 18 May - Karuah River of Music Festival, Karuah NSW
Saturday 19 May - Karuah River of Music Festival, Karuah NSW
Sunday 20 May - Karuah River of Music Festival, Karuah NSW
October 2001 Australian Tour Dates
Thursday, October 13, 2011 – QEII Twilight Market, Albury NSW
Saturday, October 15, 2011 – Bright Sound-Shell, Bright VIC
Sunday, October 16, 2011 - The Vine Hotel, Wangaratta VIC
Thursday, October 20, 2011 – The Phoenix Bar, Canberra ACT
Friday, October 21, 2011 – Artichoke Cafe, Manly NSW
Saturday, October 22, 2011 – Wickham Park Newcastle, NSW
Sunday, October 23, 2011 - Valla Beach Tavern, Valla Beach NSW
Wednesday, October 26, 2011 – The Lass O Gowrie, Newcastle NSW
Thursday, October 27, 2011 – Mudgee Brewery, Mudgee, NSW
Friday, October 28, 2011 – Hotel Gearin, Katoomba NSW
Saturday, October 29, 2011 – Camelot Lounge, Marrickville Sydney NSW
Sunday, October 30, 2011 – The Front Bar Gallery, Canberra ACT
Friday, November 04, 2011 – Wheatsheaf Hotel, Thebarton, SA
Saturday, November 05, 2011 – Suzi Wongs Room, Adelaide SA
Sunday, November 06, 2011 – Stanley Bridge Tavern, Verdun SA
Tuesday, November 08, 2011 – The Old Bar, Fitzroy, VIC
Thursday, November 10, 2011 – Retreat Hotel, Brunswick VIC
Friday, November 11, 2011 – The Gem, Collingwood VIC
Saturday, November 12, 2011 – Piping Hot Chicken, Ocean Grove VIC
Sunday, November 13, 2011 – Westernport Hotel, San Remo VIC
Check out venues closer to the date for more details! More dates to be announced.
Newmarket Music is proud to announce the release of Walkabout from internationally acclaimed jazz musician and composer Adrian Cunningham. Walkabout is a wonderfully exectued collection of twelve original, self composed tracks. Adrian brings to the table a smooth, playful and notably cohesive sound, with each track drawing inspiration from his travels and time spent in New York.
Adrian Cunningham has already established himself as one of Australia's finest jazz musicians and multi-instrumentalists, with countless club and festival appearances and a number of highly acclaimed releases.
Having been been based in New York since 2008, Adrian has been playing regularly throughout the US and Europe and, in just three short years Adrian has appeared some of NYC's finest clubs, including Smalls, Birdland, 55 Bar, Fat Cat and the Village Vanguard.
"Adrian Cunningham is more proof that there's a lot going on in Australia's Jazz scene." Cadence Magazine, New York
In 2005 Adrian was nominated for two MO awards: Jazz Instrumentalist Of The Year and Best Jazz Group and has also been a member of two prominent jazz groups, the famous Galapagos Duck and the Sydney All Star Big Band.
With a long list of collaborations, performances and recordings, Adrian has had the pleasure of working with some of Australia’s biggest names in music including Powderfinger, The Cat Empire, John Foreman, Tim Freedman (The Whitlams), Ian Moss, James Morrison, Colin Hay (Men At Work) and Guy Sebastian to name but a few.
“…once in a while we stumble across a young jazz artist who plays as if he has been playing for over a century, Adrian Cunningham is this type of performer.” All About Jazz
"Adrian Cunningham's saxophone solo actually had me making whimpering noises in the front stalls" The Independent, London
“...possibly the only young saxophonist with a sound reminiscent of Eddie Miller" The Wall St Journal
Yet another great way to kill some time online and see your favourite artists live from the comfort of your own livingroom. We'll be updating our Youtube channel with all your favourite newmarket artists from around the country. Leave us a comment and let us know what you think!!
Head along NOW to www.youtube.com/newmarketmusic
Enjoy this track as a teaser of our great new channel, a favourite from our bootstomping kiwi lads and ladies The Eastern!